- #LIGHTROOM 5.3 VS 6 HOW TO#
- #LIGHTROOM 5.3 VS 6 PDF#
- #LIGHTROOM 5.3 VS 6 PRO#
- #LIGHTROOM 5.3 VS 6 PLUS#
- #LIGHTROOM 5.3 VS 6 MAC#
The Map module in Lighroom 4 has most the controls you need for editing and managing GPS data.
#LIGHTROOM 5.3 VS 6 PDF#
This PDF therefore shows the subtle differences in workflow when using the Publish Services panel to publish photos to Flickr.
I removed this in order to demonstrate a publish services workflow using Behance in Lightroom 5. This extract is taken from the Lightroom 4 book. This extract is taken from the Lightroom 4 book and shows how you can go about creating a novelty slideshow template design for use in the Slideshow module. This describes latest features, including spot removal feathering, adjustment brush duplication, localized adjustment-aware white balancing and new Color Smoothness slider in the Detail panel. This PDF contains news about the latest Camera Raw 5.2 update.
#LIGHTROOM 5.3 VS 6 PLUS#
This lists the latest camera and lens profile support plus information about the new auto adjustments that are available in the Basic panel. This PDF contains news about the latest Camera Raw 5.3 update. To support this, Lightroom 5.4 includes syncing capability and a mechanism for defining collections that are designed for sharing between Lightroom and Lightroom mobile. This includes the latest camera and lens profile support, plus information about Lightroom mobile, a brand new app that allows Lightroom users to work on their catalog collections via an iPad 2 (or later) device. This PDF contains news about the latest Lightroom 5.4 update. This PDF explains all, showing the steps required for the migration process.
#LIGHTROOM 5.3 VS 6 MAC#
Lightroom 5.6 update: Aperture Importer plug-inĪdobe has just released an Aperture Importer plug-in that will allow Mac customers who subscribe to the Creative Cloud and are using Aperture or iPhoto to easily migrate their libraries to Lightroom. This PDF shows you the steps you need to follow.
#LIGHTROOM 5.3 VS 6 PRO#
The extended options also allow you to process selected images using the Merge to HDR Pro feature in Photoshop. Similarly, you can also now use the Photo Merge menu to generate HDR DNGs directly from bracketed source images in Lightroom. Processing via Merge to HDR Pro in Photoshop However, you can still use the extended editing options available via the Photo > Edit in menu. As I explain in the book, this allows you to generate a panorama stitch saved as a DNG file.
That’s why this course is called Applied Lightroom!īonus Content : Printing and Archiving E-Courses : 15 Videos running for 159 minutes.Lightroom CC / Lightroom 6 now features a Photo Merge menu in the Library module Photo menu. Adobe Lightroom Classic offers you the tools to work with large quantities of images in an efficient manner – but you need to know how that can be done. That means that a speedy workflow is needed, but one that does not make compromises on final quality. Delivering an edited set of, say, 100 images to a publisher means you cannot spend hours on each image. Nick’s approach comes from working in the magazine and documentary industry for many years. There are plenty of shortcuts and presets available to help you make fast progress and unless an image offers some serious editing challenges, you will be amazed at how quickly you can process through your images. Yes, there is a huge, and frankly daunting, range of tools available, but with a bit of practice it should take you no more than 60 seconds to sweeten an image.
#LIGHTROOM 5.3 VS 6 HOW TO#
In this extensive series of videos, veteran professional photographer Nick Rains will show you two main things. Firstly, how all the adjustments work and secondly, once you understand how to properly assess your images and what all these adjustments actually do, how quickly you can achieve a polished result.
At first glance there is a bewildering number of different ways you could edit your image so where do you start? Lightroom Classic offers you over 70 different adjustment sliders, and that’s only the global ones – there are local adjustments that can be made too. The camera can do it for you, and that’s certainly convenient and fast, but it’s relatively crude. Post-processing images is not, in any way, cheating – all images require some sort of digital processing between capture and final image. Modern cameras are quite capable of capturing excellent images but if you leave absolutely everything up to the camera then where is the ‘you’ in your photos? Shooting Jpegs is completely fine as long as you understand the limitations, but shooting in raw mode takes the camera’s firmware out of the equation and leaves you an ‘unpolished’ image to be further adjusted you your own taste and style.